Black and white, mostly. A rangefinder and, often, film. A few galleries — each one built as a whole, not a wall.
Black & White
The tonal core — deep blacks, blown highlights, not much asked in between.
Subject Isolation
One figure, held in space.
Backlight
The light behind — silhouettes, god-rays, edges burning out.
Lines & Geometry
Architecture doing the composing — symmetry, perspective, the vanishing point.
Faded Film
The muted palette, and the memory that comes with it.
Blue Hour
The half-hour after the sun goes — the sky still holds light and the city turns its own on.
The Land
Ground, trees, weather — the frames where the picture is a place, not a moment.